In its typical beats, it resembles those shows and other prestige projects - it mixes internecine family drama with larger-scale power plays, and like so many series of this genus, its central spoke is one sad, middle-aged white guy. In some ways, Yellowstone is much like any other wealth-and-corruption show on TV.Īt the heart of Yellowstone, though, lies an ideology that separates it from the prestige-knockoff pack, a desperate and threatened appeal to American identity and white masculinity that makes the Paramount series palpably different from other family rivalry dramas like Billions or Succession. Meanwhile, John Dutton’s three children tussle and maneuver for their father’s favor. Their lackeys punch his guys, and Dutton’s guys fight back. They attack his men, and they undermine him financially. And like most cable dramas, especially those from the long lineage of middle-aged men in prestige TV, Yellowstone is full of antagonists who seek to diminish Dutton’s power. Like his father before him, Dutton is the owner of The Yellowstone, the largest ranch in Montana. The patriarch protagonist of Yellowstone is a powerful rancher in Montana, played by Kevin Costner with a voice too rocky to be called “gravelly.” It is a bouldery voice, and when Dutton’s enemies confront him, Costner delivers his retorts in curt rumbles that sound like a cave collapsing.
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